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Эргономика, инженерная психология и человеческий фактор в дизайне

Alger, John R.M., and Hays, Carl V. Creative Synthesis in Design.

New York: Prentice-Hall, 1962.

^ Anthropometry and Human Engineering. London: Butterworth's, 1955.

Asimov, Morris. Introduction to Design. New York: Prentice-Hall, 1962.

Banham, Reyner. Theory and Design in the First Machine Age.

London: Architectural Press, 1960.

Buhl, Harold R. Creative Engineering Design.

Ames, Iowa: Iowa State University Press, 1960.

Consumers' Union (ed.). Passenger Car Design and Highway Safety.

Mount Vernon, New York: Consumers Union, 1963.

Diffrient, Niels; Tilley, Alvin; and Bardagjy, Joan. Humanscale 1/2/3.

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___. Humanscale 4/5/6. Cambridge: M.I.T. Press, 1981.

___. Humanscale 7/8/9. Cambridge: M.I.T. Press, 1981.

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Cambridge University Press, 1969.

Goss, Charles Mayo (ed.). Gray's Anatomy. (27th ed.)

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Jones, J. Christopher, and Thronley, D.G. Conference on Design Methods.

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McCormick, Ernest Jr. Human Engineering. New York: McGraw-Hill, 1957.

Nader, Ralph. Unsafe at any Speed. New York: Grossman, 1965.

Schroeder, Francis. Anatomy for Interior Designers. (2d ed.)

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Stair, Martin Kenneth. Product Design and Decision Theory.

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Образ, восприятие и творчество

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___. Principles of Group Treatment. London: Oxford University Press, 1966.

___. The Structure and Dynamics of Organizations and Groups.

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___. Transactional Analysis in Psychotherapy. New York: Grove Press, 1961.

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___. The Informed Heart: Autonomy in a Mass Age. London: Paladin, 1970.

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Hogarth Press, 1951.

___. On Creativity and the Unconscious. New York: Torch-books, n.d.

___. Totem and Taboo. Translated by Brill. London: Routledge

& Kegan Paul, 1950. Fromm, Erich. The Art of Loving.

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___. The Revolution of Hope. New York: Harper, 1968.

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Jung, C.G. Archetypes and the Collective Unconscious. 2 vols. London:

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___. Psychology of the Unconscious. London: Routledge & Kegan Paul, 1922.

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Routledge & Kegan Paul, 1935.

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Library of General Semantics, 1950.

___. Science and Sanity. Chicago: Library of General Semantics,1948.

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Lawrence, Kansas: The University of Kansas Press, 1958.

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Lindner, Robert. Must You Conform? New York: Rinehart, 1956.

__. Prescription for Rebellion. New York: Rinehart, 1952.

Neumann, Erich. The Archetypal World of Henry Moore. Londor:

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Parnes, Sidney, and Harding, H. A Source Book of Creative Thinking.

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Peris, F.S. Ego, Hunger and Aggression. New York: Random Houses, 1969.

___. Gestalt Therapy Verbatim. Edited by J. Stephens. Lafayette, California:

Real People Press, 1969.

___. In and Out of the Garbage Pail. Lafayette, California:

Real People Press, 1969.

Petermann, Bruno. The Gestalt Theory and the Problem of Configuration.

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Rawlins, Ian. Aesthetics and the Gestalt. London: Nelson, 1953.

Reich, Wilhelm. The Cancer Biopathy.

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___. The Function of the Orgasm. London: Panther, 1968.

___. The Mass Psychology oj Fascism. New York: Orgone Institute Press, 1946.

___. Selected Writings: An Introduction to Orgonomy.

New York: Vision Press, 1972.

___. The Sexual Revolution. New York: Vision Press, 1969.

Rolf, Dr. Ida P. Structural Integration.

Santa Monica, California: Esalen Press, 1962.

Ruesch, Jurgen. Communication. New York: Norton, 1951.

___. Disturbed Communication. New York: Norton, 1957.

___. Non-Verbal Communication.

Berkeley: University of California Press, 1956.

Shanks, Michael. The Innovators. Middlesex: Penguin, 1967.

Smith, Paul. Creativity. New York: Hastings House, 1959.

Spence, Lewis. Myth and Ritual in Dance, Came and Rhyme.

London: Watts Ltd., 1947.

Vernon, Magdalen D. A Further Study of Visual Perception.

Cambridge: Cambridge University Press, 1952.

Wertham, Fredric. Dark Legend. New York: Paperback Library, 1966.

___. Seduction of the Innocent. New York: Macmillan, 1954.

 – The Show of Violence. New York: Paperback Library, 1966.

___.A Sign for Cain: An Exploration of Human Violence.

New York: Macmillan, 1966.

Wiener, Norbert. Cybernetics. New York: Wiley, 1948.

___. The Human Use of Human Beings. London: Sphere, 1969.

Массовая культура, социальные факторы и дизайн

Adams, Brooks. The Law of Civilization and Decay. New York: Vintage, n.d.

Arensberg, Conrad M., and Niehoff, Arthur H. Introducing Social Change.

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Cassirer, Ernst. An Essay on Man. New Haven, Connecticut:

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___. Language and Myth. New York: Harper & Brothers, 1946.

___. The Myth of the State. London: Oxford University Press, 1946.

Galbraith, John Kenneth. The Voice of the Poor.

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Goodman, Paul. Art and Social Nature.

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___. Compulsory Mis-education. Middlesex: Penguin, 1971.

___. Drawing the Line. New York: Random House, 1962.

___. Growing Up Absurd. London: Sphere, 1970.

___. Like a Conquered Province: The Moral Ambiguity of America.

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___. Notes of a Neolithic Conservative. New York: Random House, 1970.

___. Utopian Essays and Practical Proposals. New York: Vintage, 1964.

Gorer, Geoffrey. Hot Strip Tease. London: Graywells Press, 1934.

Gurko, Leo. Heros, Highbrows and the Popular Mind.

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Hofstadter, Richard. Anti-intellectualism in American Life.

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Hofstadter, Richard, and Wallace, Michael. American Violence.

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Jacobs, Norman (ed.). Culture for the Millions? Boston: Beacon, 1964.

Joad, C.E.M. Decadence. London: Faber, 1948.

Kefauver, Estes. In a Few Hands: Monopoly Power in America.

Middlesex: Penguin, 1966.

Kerr, Walter. The Decline of Pleasure.

New York: Simon & Schuster, 1964.

Kronhausen, Dr. Phyllis, and Kronhausen, Dr. Eberhard. Erotic Art.

London: W.H. Alien, 1971.

___. The First International Exhibition of Erotic Art. Catalogue.

Copenhagen, Denmark: Uniprint, 1968.

___. The Second International Exhibition of Erotic Art. Catalogue.

Copenhagen, Denmark: Uniprint, 1969.

Kiinen, James Simon. The Strawberry Statement: Notes of a College

Revolutionary. New York: Random House, 1969.

Larrabee, Eric, and Meyersohn, Rolf (eds.). Mass Leisure.

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Legman, Gershon. The Fake Revolt.

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___. Love and Death: A Study in Censorship.

New York; The Breaking Point Press, 1949.

___. (ed.). Neurotica: 1948-1951. New York: Hacker, 1963.

___. Rationale of the Dirty Joke: An Analysis of Sexual Humour.

London: Panther, 1972.

Levy, Mervyn. The Moons of Paradise: Reflections on the Female Breast in Art.

New York: Citadel, 1965.

MacDonald, Dwight. Masscult and Midcult.

New York: Random House, 1961.

McLuhan, Marshall. Culture is Our Business. New York: McGraw-Hill, 1970.

___. The Gutenberg Galaxy. London: Routledge & Kegan Paul, 1962.

___. The Mechanical Bride. London: Routledge & Kegan Paul, 1967.398 Библиография

___. Understanding Media. London: Routledge & Kegan Paul, 1964

___. and Carpenter, Edmund. Explorations in Communication.

London: Jonathan Cape, 1970.

___. and Watson, Wilfred. From Cliche to Archetype. New York: Viking 1

___. and Fiore, Quentin. The Medium Is the Message.

Middlesex: Penguin, 1971.

___. and Parker, Harley. Through the Vanishing Point.

New York: Harper & Row, 1968.

___. and Papanek, Victor). Verbi-voco- Visual Explorations.

New York: Something Else Press, 1967.

___. and Fiore, Quentin. War and Peace in the Global Village.

New York: Bantam, 1968.

Mannheim, Karl. Ideology and Utopia.

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Mehling, Harold. The Great Time Killer. New York: World, 1962.

Mesthene, Emmanuel G. Technological Change.

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Molnar, Thomas. The Decline of the Intellectual.

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Myrdal, Jan and Kessle, Gun. Angkor: An Essay on Art and Imperialism.

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___. The Status Seekers. Middlesex: Penguin, 1971.

___. The Wastemakers. Middlesex: Penguin, 1970.

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___. Individualism Reconsidered. New York: Free Press, 1954.

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in the USA. London: Derek & Verschoyle, 1954.

Walker, Edward L., and Heyns, Roger W. An Anatomy for Conformity.

London: Brooks-Cole, 1968.

Warshow, Robert. The Immediate Experience.

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Yong, Wayland. Eros Denied: Sex in Western Society.

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Дизайн и различные культуры

Austin, Robert, and Ueda, Koichiro. Bamboo. Tokyo: Weatherhill, 1978.

Belo, Jane. Traditional Balinese Culture.

New York: Columbia University Press, 1970.

Benrimo, Dorothy. Camposantos.

Fort Worth, Texas: Amon Carter Museum, 1966.

Beurdeley, Jean-Michel. Thai Forms. Freiburg". Office du Livre, 1979.

Bhagwati, Jagdish. The Economics of Underdeveloped Countries.

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Carpenter, Edmund. Eskimo. Toronto: University of Toronto Press, 1959.

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___. Mexico South. New York: Knopf, 1946.

Cordry, Donald, and Cordry, Dorothy. Mexican Indian Costumes.

Austin: University of Texas Press, 1968.

Gushing, Frank Hamilton. Zuni Fetishes.

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de Bermudez, Graciela Samper (ed.). Artesanias de Colombia.

Bogota: Litografia Arco, 1978.

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Eliade, Mircea. Shamanism: Archaic Techniques of Ecstasy.

London: Routledge & Kegan Paul, 1964.

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___.ArchitecturesansArchitecte. Bern: Buchler&Co., 1974.

Glynn, Prudence. Skin to Skin: Eroticism in Dress.

London: George Alien & Unwin, 1982.

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___. Diseno Precolumbina Colombiano. Bogota: Museo del Oro, 1972.

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___. The Third World Tomorrow. Middlesex: Penguin, 1980.

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___.Formation of Stone. Tokyo: Shokokusha, 1958.

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